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After three years in development, Xfer Records has at last released its eagerly awaited wavetable synthesiser, and a quick glance at the feature list makes it apparent that Serum (VST/AU/AAX) represents an earnest attempt to produce nothing less than the world’s most advanced instrument of its kind.

For starters, fancy software engineering techniques have been employed to create oscillators that produce inaudible amounts of aliasing (the inharmonic artifacts that can occur in digital audio).

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The result is that Serum’s oscillators sound cleaner and slightly brighter than what we’re used to hearing from synth plugins. It’s most noticeable when playing high-pitched parts, immediately setting it apart from everything else on the market.

The Serum VST FX version will help you use this valuable aspect of this synth on sounds generated outside of the plugin. Modulation / MATRIX; Serum provides an insanely detailed modulation panel. This panel features 4 Macro Controls, 3 Envelopes, and 4 LFO Modules. PRESET: Installing Serum Presets can be a little fiddly if you aren't exactly sure how. Xfer Records is home to VST plugins Serum, Nerve, Cthulhu, and LFO Tool. Here you can direct download the Xfer Serum, which is a 100% tested and also provide you fix. Which let you use the full features as you want. Also, if you want to unlimited vst crack, then you can try our search bar you can get the high result. Xfer Serum Free Download Direct Link Read more.

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The A and B oscillators are built around the most advanced wavetable engine we’ve ever seen. You get a 2D waveform view by default, but clicking it reveals a beautiful 3D wavetable display that indicates the current wave cycle, or ‘frame’.

Waveforms can be blended statically or dynamically using regular crossfading or harmonic/spectral morphing, the latter mutating from one to the next by adapting the level and phase of individual frequencies.

You can import your own audio to create custom wavetables, but Serum has a full-spec wavetable editor built in to cater for the more hardcore user.

Under the ‘table

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The wavetable editor enables you to manipulate the waveform on a graph display using an assortment of tools that vaguely remind us of the Performer in NI Massive, although with very different results, of course.

Alternatively, you can edit the waveform by adjusting frequencies on an additive graph (similar to that of Camel Audio Alchemy), or process/generate it using preset functions and mathematical formulae.

There are more editing options than we can possibly cover here in full, which is an ongoing theme with Serum – Xfer seems to have thought of everything, or at least made its best effort to.

A third oscillator is on hand in the shape of the sub generator (although it can be transposed up or down by four octaves, so the name is a bit of an understatement), which sports six basic waveforms.

The noise generator is in fact a stereo sample player, pre-loaded with every flavour of noise you’re likely to need. These include basic white noise variations as well as output noise sampled from classic hardware synths, and some ‘otherworldly’ alternatives.

The noise generator can run looped or in one-shot mode, so it’s ideal for synthesising percussion instruments – it even comes with a selection of drum kit sounds and a very handy set of kick drum transients; and you can also import your own waves.

The filter module takes its list of types from Xfer Records’ LFOtool and so includes a good variety of the usual analogue-style models (low- high- and band-pass, and notch) alongside a variety of combs, flangers and phasers, not to mention ring modulation, formant filter, sample- and-hold and various more esoteric types.

Modulation is handled by an intuitive drag-and-drop system, similar to that of Massive, but with a 32-slot mod matrix letting you see everything in one place, and advanced features such as user-editable curves and an auxiliary ‘via’ source for each slot.

In terms of modulation sources, there are three AHDSR envelopes and four LFOs shaped using the same refined LFO editor found in LFOtool. The LFOs also feature an envelope mode for building complex, multi-stage envelopes, and four macros are in place for bringing multiple parameters under unified control.

Two Chaos modulation sources can be configured in the global tab, too. These are largely intended to help invoke analogue-style nonlinearities, and they do that well, but you’ll find plenty of creative uses for them beyond that.

Visual treats

The whole Serum interface is alive with animated visualisations that make it easy to see what’s modulating what – from dots that move on envelopes as they’re triggered, to oscillator waveforms that twist and warp as they evolve.

One of the most interesting visualisations is that of the unison function found on Oscillators A and B, which gives a representation of how many voices are stacked (from 2-16), as well as their relative volume levels and detune positions.

The unison feature reminds us of Synapse Audio’s Dune 2, and like that synth, Serum offers a selection of five stacking modes, including “Super”, which appears to replicate the supersaw unison found on Roland’s classic JP-8000.

This sounds huge, but you may find that playing chords with heavy unison really starts to burden your CPU – an issue that Dune 2 doesn’t suffer from. Serum’s oscillators are dramatically cleaner-sounding, though, and you can take the default 4x oversampling down to 2x if more notes or instances is your priority (or, indeed, go up to 8x if fidelity is your priority).

A shot in the arm

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We’ve only just scratched the surface of Serum here, which has so many deep and advanced features in its locker that we couldn’t possibly hope to fully convey everything it can do in just two pages.

This is a must-have instrument for the serious sound designer, although even preset junkies will be thrilled with the 450+ excellent factory patches. We’re not being overdramatic when we say that it’s quite possibly the most sonically versatile synth we’ve ever used, and certainly one of the best sounding.

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Xfer Records Serum Crack dream synthesizer didn’t seem to exist: a wavetable synth with super high quality sound, a visual and creative workflow oriented interface that made creating and changing sounds fun instead of boring, and the possibility of “deep” if you wish “to go” – to create / import / edit / transform wavetables and edit them in real time during playback. Serum has a wavetable editor which allows you to create your own wavetables in several ways. Import audio directly from audio files – Serum offers a variety of methods and options for analyzing audio to break it down into individual waveforms. Of course, you can also import wavetables with one cycle and several at a time (with built-in sorting options or manual reorganization). Morphing between different wavetables using standard linear interpolation (crossfading) or using harmonic / spectral morphing.

Xfer Records Serum VST Crack Draw directly on the waveform with the optional grid size snap and various shaping tools. Generate or modify waveforms with FFT (additive). Create or process waveforms using formula functions. The processing menu options allow you to perform other desired tasks, such as: B. Crossfade, crossfade, normalize, export and more. The modulation system allows drag-and-drop connections between mod sources and targets. Would you like an LFO that controls the filter cutoff? Simply drag the LFO title onto the mute button. This LFO-> filter connection is now also displayed in the modulation matrix. In other words, you have two views / approaches to creating and modifying your mods: sometimes a list is nice, sometimes you just want the job done quickly and easily.

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• Reading the wavetable requires digital resampling to play at different frequencies. Audible artifacts are created in this process without much care and without much numerical computation.
• Artifacts mean that you are (perhaps unintentionally) overwriting your mix with unwanted sounds / frequencies. Many popular wavetable synthesizers are incredibly bad at removing artifacts – even at a high quality setting, some artifacts produce as much as -36dB to -60dB (level difference between fundamental artifacts), which is well audible and, moreover, often The highest attenuation wanted audible frequencies to suppress this unwanted sound.
• In Serum, playing native (standard) mode oscillators works with high-precision resampling, which provides a surprisingly inaudible signal-to-noise ratio (e.g. -150dB for a sawtooth, which is played at 44100 with 1kHz )! It takes a lot of math.
• Therefore, the Serum Oscillator rendering has been aggressively optimized using SSE2 instructions to enable this high quality rendering without putting more strain on your processor than the typical software synthesizer (with decent quality) .
• Download some serum and we think you’ll notice both what you hear (solid high frequencies that extend to the limits of hearing) and what you don’t hear (no unwanted mud or gibberish). ‘alias) can – only a good clear sound).
• In addition to browsing wavetables (up to 256 forms a single oscillator), you can edit the waveform yourself in a separate realtime process called warping. This allows FM / AM / RM / Oscillator synchronization and many other ways to change the waveform, including “Remap” modes – a graph editor for drawing your own custom table manipulations.

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• In addition, to a brand new serum, all serums contain the types of filters contained in LFOTool. Moreover, The Flanger, Phaser, and Comb filters can all sense the musical note you are playing. With two types of filter. Similarly, you can control or switch between filter types. Above all, Get creative with atypical processes for filters like downsampling or unique filter types that have never existed before, like the dirty sounding French LPF.
• With an effects rack with 10 effects modules, you can bring your sound to the serum finish line. Effects can be rearrange into any desire configuration. Almost all effect parameters are also available as modulation targets.
• This is especially useful for monophonic synth sounds. For example, use an LFO to control the size of the reverb or Dry / Wet, or a speed to control the amount of distortion. Many of these effects and modes were only developed for Serum, so there are many unique effects to choose from eg. B. Hyper, which simulates (additional) unison quantities, or a dual-waveshaper, which allows for distortion that you can change between two different waveforms.
• With Serum, you can stack a single oscillator to use up to 16 voices. Each of the wavetable oscillators has a number of extended parameters in unison. Batch settings allow you to layer notes (eg octaves) for a fuller sound with the press of a single key.
• Moreover, Adjust the Unison voices so that they all have their unique waveform. In addition, at the same time with the Unison WT Pos setting, or let them all be distorted in a different way with the Unison Warp control. With a variety of unison tuning modes per oscillator, you can flourish or revel in the sound of the stack at will.

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• Mac Pro running OS X (10.8. 5), 16GB RAM, 2×2. 66GHz Quad-Core Intel Xeon running in 64-bit mode.
• Logic 10.0. 7 in 64-bit mode.
• Serum v1.

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